New release: Situating Global Art. Edited by Sarah Dornhof, Nanne Buurman, Birgit Hopfener and Barbara Lutz
31. December 2018
Topologies – Temporalities – Trajectories
Bielefeld: transcript 2018
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. (publisher)
Dr. Sarah Dornhof is a postdoc in Cultural Studies. Currently she has a fellowship at the Institute for Advanced Studies Konstanz.